Original style prompt

Please make every photo I upload into its own standalone high-end design poster; no multi-image collages, each photo output separately. The overall composition uses a 3:4 vertical format, with the upper and lower zones strictly 1:1 in height, each taking up 50% of the frame.

The upper half keeps the original photo, preserving the subject's identity, structure, pose, real texture, natural light and shadow, and original color atmosphere, applying only a slight high-end photographic color grade so that it has the texture of art magazines, independent publications, and exhibition photography. To fit the frame, the sky, ground, or environmental background may be extended naturally, but the subject must not be stretched, distorted, or altered.

The lower half extracts the most recognizable **subject, outline, pose, and narrative relationships** from the photo and reconstructs them as a minimalist art poster with the texture of Chinese embossed printing / sculpted paper relief. The whole appears pressed into thick ivory paper, re-summarizing the subject through low relief, delicate shadows, minimalist line engraving, and restrained layering. Do not mechanically reproduce details; instead, retain the most essential structural features and spatial relationships so that it can be recognized at a glance as the same object shown above. Depending on the type of subject, it may be transformed into a low-relief composition viewed from above, straight on, from a slightly elevated angle, or extended along an axis, while appropriately retaining environmental contours related to the subject, giving the composition a clear hierarchy, an ordered sense of depth, and the tranquility of a museum display.

The lower half is based overall on large areas of ivory, warm white, or pale paper-colored negative space. The subject and related elements are presented uniformly as monochromatic low relief, with layers established through differences in embossing height, edge shadows, and subtle light and dark. A small amount of matte-gold detail and soft warm-white luminosity may be added only to the subject's most critical local structures or visual focal points to reinforce the core identifying features, avoiding disorderly colors, excessive decoration, and piled-up scenes.

Text must be transformed into part of the image structure rather than serving as an ordinary title explanation. Distill short text from the subject's identity, location attributes, thematic temperament, action state, or symbolic meaning in the photo; **title + keywords + a small amount of numbering, location, or micro-annotations / philosophical aphorisms** may be used. Text uses restrained gold or dark gray serif / sophisticated editorial typefaces and may be placed on the central axis, beneath the subject, along the edge of the negative space, or aligned with the relief structure, creating a sense of order and the character of an exhibition poster together with the embossed subject rather than an information layer added afterward.

The overall style pursues a visual temperament of **high-end sophistication, tranquility, minimalism, restraint, Eastern aesthetics, a museum-poster feel, and a sense of paper sculpture**. Whether the original image depicts a building, person, animal, plant, object, vehicle, or natural landscape, the lower half should maintain a clear and elegant visual correspondence between the real photograph and the embossed-relief reconstruction. Avoid garbled text, low definition, deformed subjects, disorderly colors, crowded composition, a cheap 3D feel, and a template feel.