Complete AI image prompt

Build the first read as a commanding wall of oversized red display lettering, set several times heavier than all supporting information and interlocked with the principal image through overlap and occlusion. Give the title an ultra-bold, condensed, nearly monoline geometric skeleton; compress stroke spacing, component widths, and counters, add a few purposeful cuts, and preserve valid, immediately recognizable anatomy in the selected writing system. Let this typographic mass span modules and press against an edge while a high-contrast black-and-white documentary or realistic image, closely cropped around a decisive pose, expression, gesture, or structural direction, occupies a large rounded-rectangle window and pushes back as the second center of gravity. Govern the remaining material with an asymmetric modular grid: dense information islands are separated by generous warm-white space, the eye enters through the giant title, follows the subject's directional energy, then resolves through numbered modules, cards, and a fine baseline. Derive the title meaning, representative subject, symbolic links, narrative evidence, and information hierarchy entirely from the subject matter. Use a small set of secondary black-and-white images as compact rounded windows, sequential thumbnails, or detail crops that behave as evidence; let a selected secondary frame cross a module boundary or sit partly beneath the title. Restrict the system to an even warm-white matte paper field, deep black type, grayscale imagery, pale gray cards, and one saturated orange-red accent. Reserve orange-red for the giant title, chapter numerals, capsule labels, key dots, and one continuous freehand annotation stroke, so a limited color area drives the strongest rhythm against broad white and restrained black-gray fields. Set supporting copy in a clear, compact sans serif with sharp hierarchy; align dashes, slashes, two-digit numerals, lettered sections, and multilingual micro-headings by optical weight. Group related points inside soft-cornered pale gray cards, contrasting bold index figures with fine body copy. Maintain a quiet peripheral interface of slender side indexes, crosshair-like registration marks, corner viewfinder symbols, and a footer assembled from a small circular identifier, section text, a red folio, and one extended hairline. Draw the orange-red annotation as a loose editorial gesture with a slight loop, crossing lettering, open field, and photography while preserving essential recognition; its lone organic path is the controlled violation that animates the rectilinear grid. Keep the paper field uniform, flat ink areas dense and unbroken, and all glyph and image edges crisp, combining the authority of a research dossier with the impact of mass communication.


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Create an editorial PPT analyzing Jiang Wen’s works, 10 pages with a different layout logic on each. Use oversized condensed headlines pressing onto rounded image modules. Functional asymmetry creates scale jumps and active negative space; modular grid and baseline rhythm unify title, image, body, and footer. Gestalt common region and continuity group rounded cards, while one fast hand-drawn line crosses gutters to guide the focal point. Use Tschichold-like active axes and functional hierarchy for the first read; Brodovitch-like radical crops, scale contrast, and image–type dialogue for the second; Weingart-like controlled bleeds, overlays, and handwriting on a clear grid as the sole disturbance—coordinate without imitation. Four-role color: background field ~40% (highest value, lowest saturation, high key); image support ~35% (desaturated/controlled low saturation midtones); theme color ~20% (medium value, medium-high saturation concentrated in giant title, keywords, and through-line); structural dark ~5% (lowest value for labels, body, and key borders). Map any theme/brand color to these roles once, preserving area ratios, value order, saturation contrast, warm/cool adjacency, and shadow contrast; do not alter layout or image logic. Composite modular grid: giant title band above; unequal narrow focus cards and wide narrative cards below; body copy in quiet areas of wide cards; fine footer information closes along left/right edges. Reading order: giant headline, image and capsule subtitle, explanation, footer. Keep gutters and margins breathable; only the hand-drawn line and subtitle capsule cross the grid. Background is uniform high-key matte paper; images use natural-light photography, hard-edged rounded masks, and restrained grain. Small modules retain theme-color links; large modules are desaturated with close, dynamic crops. Layer background, image cards, text labels, then a single continuous quick handwritten line with slight stroke variation, rounded turns, and clean edges. Headline: ultra-bold ultra-condensed sans, tight tracking, strong scale contrast, lower edge optically occluded by image cards. Subtitle: dense bold type in rounded capsule. Body: regular-width, medium/light sans with open leading. Calibrate Chinese and Latin by visual density, letter height, and baseline. Footer small but high contrast. Overall feeling: direct, dynamic, young, lucid, approachable, decisive.

Original style prompt

Build the first read as a commanding wall of oversized red display lettering, set several times heavier than all supporting information and interlocked with the principal image through overlap and occlusion. Give the title an ultra-bold, condensed, nearly monoline geometric skeleton; compress stroke spacing, component widths, and counters, add a few purposeful cuts, and preserve valid, immediately recognizable anatomy in the selected writing system. Let this typographic mass span modules and press against an edge while a high-contrast black-and-white documentary or realistic image, closely cropped around a decisive pose, expression, gesture, or structural direction, occupies a large rounded-rectangle window and pushes back as the second center of gravity. Govern the remaining material with an asymmetric modular grid: dense information islands are separated by generous warm-white space, the eye enters through the giant title, follows the subject's directional energy, then resolves through numbered modules, cards, and a fine baseline. Derive the title meaning, representative subject, symbolic links, narrative evidence, and information hierarchy entirely from the subject matter. Use a small set of secondary black-and-white images as compact rounded windows, sequential thumbnails, or detail crops that behave as evidence; let a selected secondary frame cross a module boundary or sit partly beneath the title. Restrict the system to an even warm-white matte paper field, deep black type, grayscale imagery, pale gray cards, and one saturated orange-red accent. Reserve orange-red for the giant title, chapter numerals, capsule labels, key dots, and one continuous freehand annotation stroke, so a limited color area drives the strongest rhythm against broad white and restrained black-gray fields. Set supporting copy in a clear, compact sans serif with sharp hierarchy; align dashes, slashes, two-digit numerals, lettered sections, and multilingual micro-headings by optical weight. Group related points inside soft-cornered pale gray cards, contrasting bold index figures with fine body copy. Maintain a quiet peripheral interface of slender side indexes, crosshair-like registration marks, corner viewfinder symbols, and a footer assembled from a small circular identifier, section text, a red folio, and one extended hairline. Draw the orange-red annotation as a loose editorial gesture with a slight loop, crossing lettering, open field, and photography while preserving essential recognition; its lone organic path is the controlled violation that animates the rectilinear grid. Keep the paper field uniform, flat ink areas dense and unbroken, and all glyph and image edges crisp, combining the authority of a research dossier with the impact of mass communication.

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