Original style prompt

Make an optically even, high-chroma color field occupy nearly the entire movie poster and support an intimate subject compressed against one edge, allowing empty color to become the first protagonist while figures or objects form only a narrow but weighty boundary band. Preserve an extreme mass difference between field and subject so the open area carries emotion, title, and distance at once. Photograph from an exceptionally low viewpoint. Reveal only heads, necks, shoulders, and a small portion of the upper body, naturally cropped by the lower or side edge; every subject lifts the chin and extends the throat, directing the gaze upward or outward into a personal region of the empty field. Establish contact through back-to-back, head-to-head, or head-on-shoulder leaning while letting the gazes diverge slightly, so closeness and private reverie coexist. Preserve the identity, count, facial features, and species found in the input photograph one for one. Let clothing, hair, fur, and skin receive clear hard daylight with a fine rim of backlight, creating a direct contrast between tactile realism and the flat color field. Canvas changes only redirect the expansion of emptiness: a taller frame presses the subject along the bottom and lets color rise; a wider frame presses the subject to one side and lets color extend across the opposite side. Keep text and subject in separate weight zones and keep the open field substantially larger. Suspend a large freehand title in the area farthest from the subject, using long quick strokes, slight dry-brush breaks, and a staggered two- or three-line lockup. Take its color from the warm contrasting direction of the principal field and make it the poster’s only high-energy hue. Place one tiny fine-line credit above it, two or three compact release lines below it, and use minute white review quotes, cast names, and a copyright strip as a quiet industrial baseline along the outer edge. Derive the single luminous field from the theme’s emotional temperature, reserve white for information, preserve natural subject color, and restrict the accent to the handwritten title and one small data point. The identity of the system depends on the simultaneous presence of vast color, edge-bound low-angle looking, divergent leaning figures, and a floating handwritten title.