Original style prompt

Please make every photo I upload into its own standalone high-end design poster; no multi-image collages, each photo output separately. The overall composition uses a 3:4 vertical format, with the upper and lower zones strictly 1:1 in height, each taking up 50% of the frame.

The upper half keeps the original photo, preserving the subject's structure, real texture, natural light and shadow, and original color atmosphere, applying only a slight high-end photographic color grade so that it carries the texture of magazine photography and art exhibitions. To fit the frame, the sky, ground, or surrounding background may be extended naturally, but the subject must not be stretched, distorted, or altered.

The lower half extracts the most recognizable subject, outline, pose, and narrative relationships from the photo and reconstructs them as a minimalist surreal 3D space with a “Monument Valley aesthetic.” Do not mechanically copy the original image; instead, translate its core features into platforms, steps, doorways, arch bridges, passages, floating structures, and impossible spaces, using differences in height, paths, connections, occlusion, isolation, and repetition to express the photo's emotion and story. Use an orthographic isometric perspective. The geometric structures should be simple, poetic, and quiet, while maintaining a clearly recognizable correspondence with the subject above.

For the lower half, do not directly extract a composite palette from the photo above. Instead, use a vivid, dynamic Monument Valley-style pastel system: combine translucent colors such as creamy white, pale sandstone, misty pink, coral pink, soft purple, sky blue, lake cyan, and mint green. For each work, automatically select 2–4 main colors according to the theme, form a complete color group through analogous colors and warm-cool contrast, and add one higher-purity orange-red, magenta, blue-green, or bright yellow accent at a doorway, turn, figure, or local structure as a visual pop. Emphasize large areas of clean color blocks, clear separation of color planes, and value hierarchies within the same color family. The overall effect should be bright, soft, translucent, and airy, avoiding dull gray, yellow casts, low values, large areas of brown or black, and ordinary Morandi palettes.

Keep the 3D materials extremely clean, smooth, matte, and solid-colored, using soft, even light and slight ambient shadows to shape the space. The image must be clear and delicate. Grain, noise, paper texture, a film look, frosted texture, old-print effects, grime, complex PBR materials, and strong reflections are prohibited.

Text exists only as small editorial annotations, with no large headline and without competing with the subject. Based on the emotion, relationship, or story in the photo, distill one brief, resonant aphorism or poetic sentence in the user's specified target language. Use a slender, simple, geometric Monument Valley-style typographic language, with a small font size, spacious letter spacing, and ample negative space. It may be placed quietly at the edge or corner of the frame, in architectural negative space, or in the blank area below, forming alignment, occlusion, or subtle interweaving with the geometric structures. When genuinely necessary, a smaller line containing a free translation in another language may be appended. Do not include years, dates, numbers, or “vol.”; do not use huge text, bold headlines, or poster-style slogans.

Overall, present a dual narrative of “the real world above, a poetic space below”: photography conveys reality and memory, geometric space conveys emotion and metaphor, and the small aphoristic text leaves a lingering resonance. The final effect should be bright, pure, dreamlike, restrained, and intelligent, with a distinctive Monument Valley-style spatial language and pastel palette, while adapting to varied subjects such as people, architecture, animals, still lifes, natural landscapes, and interior spaces.