Original style prompt

Please make every photo I upload into its own standalone high-end design poster; no multi-image collages, each photo output separately. The overall composition uses a 3:4 vertical format, with the upper and lower zones strictly 1:1 in height, each taking up 50% of the frame.

The upper half keeps the original photo, preserving the subject's structure, real texture, natural light and shadow, and original color atmosphere, applying only a slight high-end photographic color grade so that it carries the texture of art magazines, independent publications, and exhibition photography. To fit the frame, the sky, ground, or environmental background may be extended naturally, but the subject must not be stretched, distorted, or altered.

The lower half extracts the most recognizable **subject, outline, pose, and narrative relationships** from the photo and reconstructs them as a relaxed, naive hand-drawn wax-pastel image. Use off-white, coarse-fiber handmade paper as the base layer, and place a horizontally extending, low-saturation field of paper color within the frame; naturally distill and remix its color from the overall colors and mood of the photo above, without fixing the hue. Depict the subject in simplified form with light-colored matte wax pastels, removing complicated details and retaining only the most essential proportions, directional flow, and identifying features. Keep the lines free, irregular, slightly broken, and marked by a rough sense of friction, so that they immediately evoke the original object above while still possessing an independent hand-drawn expression.

The composition emphasizes **the proportional relationships among the horizontal color field, the subject's visual center of gravity, and the negative space above and below**. The subject may be naturally offset, cropped, or extend across the boundary of the color block according to its pose in the original image, without being mechanically centered; use scale, direction, positive and negative shapes, and negative space to establish a quiet visual rhythm. The color block serves only the relationship between the subject and the space and adds no superfluous decoration. Retain the double-layered paper, slight aging, Risograph grain, and real fiber texture, while avoiding complex shadows, realistic modeling, and digital smoothness.

From the photo's **mood, action, state, or metaphor**, distill one short phrase and integrate it into the image in soft, scribbled, slightly imperfect handwriting. The text may be arranged naturally along the edge of the color block, the directional flow of the subject, or an area of negative space; it may also slightly interweave, misalign, or cross boundaries with the outline, making the text feel like part of the hand-drawn work rather than a title added afterward.

The overall result presents a paper-based editorial visual that is **quiet, relaxed, gentle, retro, artistic, and restrained**, combining handmade warmth with a modern sense of composition. Whether the subject is a person, animal, plant, building, object, vehicle, or natural landscape, maintain a clear and ingenious visual correspondence between real photography and minimal hand drawing, avoiding cartoonishness, a cheap scrapbook look, complex decoration, fixed color schemes, and a template-like feel.