Original style prompt

Please make each photo I upload into an independent high-end design poster. No splicing of multiple pictures, and each photo will be output separately. The overall composition adopts a 3:4 vertical version. The upper part retains the real photography, and the lower part is artistically reconstructed, maintaining a natural visual response from top to bottom.

The upper part retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural light and shadow, and original color atmosphere. It only undergoes slight advanced photography color grading to give it the quality of art magazines, independent publications, and exhibition photography. The environmental background can be naturally expanded to fit the frame, but the subject must not be stretched, distorted, or changed.

The lower part extracts the most identifiable ** subject, outline, posture and narrative relationship ** from the photo, retaining only the most memorable core themes, metaphors and visual clues of the original picture, and reconstructs it into a **naive, loose, minimalist black hand-drawn line drawing **. Don’t completely trace the photo, but compress the complex information into a core graphic and a small number of necessary auxiliary symbols, and re-express it in a very simple and even slightly clumsy way, but the identity of the subject and key relationships must be maintained at a glance.

The lines are mainly black, as if they were drawn casually on paper with a pen, stylus pen or marker pen: ** is slightly uneven in thickness, slightly jittery in outline, jerky in turns, partially disconnected, repeatedly searched, and has a naive sense of exaggeration in proportions **, which allows for incomplete closure, incomplete symmetry and correction marks left after slight drawing errors. No delicate strokes, no technical draftsmanship, and no “hand drawing” turned into neat digital line drawings.

The bottom layer of the composition must remain professional. Pay attention to the **visual center of gravity, scale contrast, positive and negative shapes, directional relationships and the rhythm of white space**, so that naive lines are supported by clear and restrained layout order. The main body can be eccentric, suspended, partially enlarged, or placed at a low center of gravity in the picture. The auxiliary elements are loosely distributed but unevenly spread; a large amount of blank space actively participates in the narrative, giving the picture a relaxed feeling of "painting just right and then stopping".

The background color is not fixed. Based on the comprehensive color temperature and light of the original image above, **an extremely light, almost white, soft comprehensive color background** is intelligently generated, . It can be slightly warmer, colder, pinker, greener or grayer, but it must be light, clean, quiet, and naturally echo the original image.

The overall color is mainly ** black lines + extremely light background **. Only the most recognizable and vital native color is extracted from the photo above as the accent color. The accent color only appears in a few key locations, such as the most important part of the subject, a small symbol, a piece of clothing, flowers, windows, utensils or visual focus. The area is kept small, making it like a bit of color suddenly retained in memory. Do not fill with multiple colors, and do not colorize the entire line drawing.

The text also maintains a free and hand-made feel, with no preset location, title, number, year or language. Freely generate a very small amount of truly meaningful text based on the mood, action, sense of life, memory or metaphor of the photo itself; it can be like a casually written sentence, a few words or a very small editorial note. The text can be handwritten with a slightly awkward feel, or mixed with minimalist typography, and form a clever relationship with the graphics through position, spacing, direction and white space, so that the text feels like part of the picture rather than a description posted later.

The overall design presents a **sense of clever clumsiness**: from a distance, it appears to be a clean, restrained, advanced editorial layout with design judgment, but from a closer look, it is full of imperfect, friendly and characterful hand-painted traces. Relaxed, humorous, gentle, healing, modern and slightly eccentric, like a casually drawn but carefully art-directed page in an independent publication. Avoid complex illustrations, full backgrounds, dense details, colorful fills, smooth vectors, technical line drawings, cartoon stickers, children's homework feel, and business template feel.