Original style prompt

Turn every uploaded photograph into a separate high-end design poster; do not combine multiple photographs, and output each photograph independently. Use an overall 3:4 portrait composition with two vertically stacked regions of strictly equal height, each occupying 50% of the canvas.

Preserve the original photograph in the upper region, retaining the subject's identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere. Apply only subtle high-end colour grading so it feels like an art magazine, independent publication, or exhibition image. The surrounding environment may be extended naturally to fit the format, but the subject must not be stretched, distorted, or altered.

In the lower region, extract the photograph's most recognisable **subject, silhouette, pose, and narrative relationship**, then reconstruct them as a minimalist artwork with the texture of a dark-crayon sketch. Use textured ivory handmade paper as the ground and introduce one soft, irregular colour field that echoes the photograph's overall tonal character, like a gently spread low-saturation plane that supports the subject without filling the image. Do not fully trace the photograph or add superfluous objects. Retain only the essential identifying features so the source remains immediately recognisable while preserving the artistry of omission, simplification, and deliberate stopping.

Redraw the subject as a **minimal dark-crayon sketch**. Lines should be loose and spontaneous, with imperfect strokes and slight repeated corrections. Simplify detail as much as possible while keeping the key proportions, direction, structure, and pose accurate. Add a faint Risograph grain so the surface feels quiet, nostalgic, understated, tactile, and papery.

The composition should be subtle, restrained, and carefully designed, with attention to **visual centre of gravity, proportion of whitespace, hierarchy, positive–negative shape, block rhythm, and image–type correspondence**. The subject need not be mechanically centred; place a clear visual landing point in the middle or lower area according to the source's most moving structural relationship. Let the irregular colour field, crayon lines, and typography create natural pull and breathing room, so the result feels relaxed yet deliberately composed. Preserve generous whitespace and let emptiness carry emotion, distance, and time. Do not copy a reference composition literally.

Typography should intervene only sparingly. Distil short English words or phrases from the photograph's subject, place, mood, or symbolic meaning. Use **small, restrained typewriter lettering with slight mechanical irregularity**, integrating it with low visual weight, generous spacing, and natural offsets. It may sit near the colour field, follow the subject's edge, or occupy open space like a private note in an independent publication rather than a commercial headline.

The overall atmosphere is quiet, nostalgic, and restrained, with Morandi sensibility and handmade-paper tactility. It should unite **dark-crayon sketching, a soft colour field, extensive whitespace, nuanced composition, and subtle typography** into refined art direction. Avoid detailed realism, complex backgrounds, heavy comic outlines, vivid jumping colours, excessive decoration, template-poster styling, and cheap computer-generated appearance.