Original style prompt

Turn every photograph I upload into a separate premium design poster. Do not combine multiple images; output each photograph independently. Use an overall 3:4 portrait composition with two vertically stacked regions in a strict 1:1 height ratio, each occupying 50% of the canvas.

Retain the original photograph in the upper region, preserving subject identity, structure, pose, authentic texture, natural light and shadow, and the original colour atmosphere. Apply only subtle premium photographic grading to give it the quality of an art magazine, independent publication, or exhibition image. The environmental background may be extended naturally to fit the canvas, but the subject must not be stretched, distorted, or altered.

In the lower region, extract the photograph's most recognisable **subject, contour, pose, and narrative relationships**, then reconstruct them as a **faux-naïf picture-book illustration**: retell the source's central theme through naïve watercolour illustration, loose ink lines, symbolic forms, and hand-drawn lettering. Do not reproduce the whole photograph. Deliberately remove complex detail and turn people, animals, buildings, plants, objects, or landscapes into simple but recognisable visual symbols, so the source is immediately identifiable while gaining an innocent, humorous, and design-conscious narrative quality.

Build the forms with **fine, loose black or dark ink lines + flat watercolour / gouache-like colour fields**. Contours may be slightly crooked, proportions somewhat awkward, and perspective subjective; searching lines, light repetition, and incompletely closed outlines may remain. Colour does not need to fill every contour: preserve brush marks, overspill, exposed paper, and uneven coverage. Size relationships may be moderately exaggerated for narrative purposes, using symbolic scale and naïve perspective instead of strictly realistic proportions, but subject identity and key poses must remain accurate.

The composition must not become a casual child's drawing; it is a deliberately designed **decorative narrative composition**. Rearrange forms around the source photograph's single most important narrative centre, creating rhythm through varied scale, encircling, vertical overlap, partial cropping, repeated symbols, and large areas of whitespace. Elements that are separate in reality may be reorganised into an imaginative small world, but the canvas must not be crowded. Actively discard complex backgrounds, retaining only a few symbols that best preserve environmental meaning and emotion, so the result combines childlike charm with mature graphic composition.

Derive and remix **the brightest, liveliest, most vital colours** from the upper photograph; do not average the palette or deliberately mute it. Convert the source's key colours into light, clear, flat watercolour fields that may naturally form sky blue, aqua, fresh green, lemon yellow, warm orange, coral pink, rose, soft violet, and other bright combinations. Use bold but gentle warm-cool juxtapositions to create a joyful and healing visual rhythm. Leave extensive bright warm white, or an extremely pale paper tone derived from the source's overall colour temperature, as breathing space. Colours should be vivid without becoming harsh, and varied without becoming messy. Avoid muddy grey, dark brown, gloomy Morandi palettes, fluorescent colour, and cheap candy sweetness.

Let text appear freely as part of the painting, without presetting a title, number, year, place, or language. Generate only a few words, short phrases, numbers, or poetic fragments from the subject, action, emotion, sound, memory, or visual metaphor. **Use fine, naïve hand-drawn lettering with slight pressure variation and irregular spacing, preserving natural slant, a wavering baseline, and visible brush-written traces.** Text may vary in size, rotate slightly, or grow freely along subject edges and open space, interweaving with, circling, and echoing the illustration. Image and lettering should feel drawn on the paper at the same time, not like a headline added afterward.

The overall result should form a faux-naïf picture-book aesthetic through **loose ink linework, flat watercolor washes, visible brush marks, symbolic simplification, playful hand lettering, and deliberate imperfection**: bright, gentle, humorous, innocent, relaxed, and full of everyday life, while always retaining mature compositional judgement and graphic storytelling. Avoid realistic illustration, strict perspective, precise anatomy, smooth vectors, digital gradients, 3D rendering, commercial cartoon styling, fully filled backgrounds, and templated children's-poster aesthetics.