Original style prompt

Please turn each photograph I upload into a separate, premium design poster. Do not combine multiple images; output each photograph individually. Use an overall 3:4 portrait composition divided into upper and lower regions of strictly equal height, each occupying 50% of the canvas.

Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere. Apply only subtle, refined colour grading to give it the visual quality of an art magazine, independent publication, or exhibition image. The surrounding environment may be extended naturally to fit the canvas, but the subject must not be stretched, distorted, or altered.

For the lower half, extract the photograph's most recognisable **subject, silhouette, pose, narrative relationships, and atmospheric cues**, and reconstruct them as an artwork made from **large, abstract blocks of colour fitted together**. Do not depict them realistically or retain the complete scene. Preserve only the most memorable theme, emotion, and visual metaphor; compress complex information into a small number of clear, powerful planes, contours, and relationships so that the spirit of the original object or scene remains immediately perceptible.

Organise the whole lower image through a **rough, spontaneous, strongly handmade logic of assembled planes**. Use irregular large colour blocks, cut-paper-like edges, hand-drawn lines of varied weight, partial overlays, and areas of blank space to create a free but deliberately controlled reconstruction. Planes may be misregistered, overlapped, cropped, interrupted, or separated by gaps, retaining a sense of chance and incompletion. The overall layout must nevertheless remain professional and balanced, with close attention to **visual gravity, proportional relationships between shapes, primary and secondary hierarchy, positive and negative form, rhythms of density and openness, and the art of whitespace**, so that the image feels casual at first glance yet restrained and sophisticated in its construction.

Derive the palette by selecting and remixing the **brightest, freshest, and most vital colours** from the upper photograph rather than averaging its colours. Raise the overall luminosity and purity to create clearer, warmer, and lighter colour relationships. Naturally inferred hues may include sky blue, aqua, tender green, warm yellow, coral orange, and peach pink; use clean warm–cool contrast to establish a healing quality. Use broad areas of warm white or another extremely pale ground as breathing space. Main colours should be vivid without becoming harsh, and a small amount of bright accent colour may awaken the mood. Avoid muddy grey, aged or sombre colour, low-key Morandi palettes, dark brown filters, neon colours, and a cheap candy-like look.

Introduce only a small amount of text. Do not prescribe a fixed language or menu-like information; instead, freely generate a very small number of meaningful letters, words, or short phrases according to the photograph's subject, atmosphere, action, or metaphor. Use **simple, relaxed art lettering with slight handmade misregistration and an editorial sensibility**—somewhere between a handwritten title and modern typography. It may be gently irregular but must remain legible and should compose naturally with the rough colour planes and whitespace. Text may hug the edges of colour blocks, follow a visual axis, or float within a large empty area, forming an organic editorial relationship with the graphics.

The final result should present a premium visual language in which **abstract collage, vivid colour blocks, rough spontaneity, professional layout, artful whitespace, and responsive typography** work together, like a page from an independent art publication, an experimental exhibition poster, or contemporary editorial design. Avoid realistic illustration, intricate detail, complete backgrounds, template-driven layouts, cartoon qualities, cheap decoration, and an overtly computer-generated appearance.