Original style prompt

Please turn each photograph I upload into a separate, premium design poster. Do not combine multiple images; output each photograph individually. Use an overall 3:4 portrait composition divided into upper and lower regions of strictly equal height, each occupying 50% of the canvas.

Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere. Apply only subtle, refined colour grading to give it the visual quality of an art magazine, independent publication, or exhibition image. The surrounding environment may be extended naturally to fit the canvas, but the subject must not be stretched, distorted, or altered.

For the lower half, extract the photograph's **most memorable subject, silhouette, pose, and narrative relationships—the elements most worth preserving**. Do not reproduce the whole scene or turn it into a realistic illustration. Instead, reconstruct these essential visual cues as an **abstract artwork with the character of halftone printing**. Compress the subject into a small number of its most recognisable shapes, edges, silhouettes, or partial structures, then reorganise them with black or dark halftone dots, changing densities, halftone grain, and layered print textures. The original object should remain immediately perceptible, while also being clearly distilled, edited, and retold.

The lower half is not a collage of isolated elements; its core is a **strongly integrated overall composition**. Use halftone forms as the primary visual skeleton, then introduce a small number of coloured lines, paths, circled marks, guide lines, loops, or flowing graphics distilled from the source photograph's colours. Let lines and halftones, whitespace and colour blocks answer one another and form a complete, rhythmic image together. Every graphic intervention should serve emotion, direction, air, the sense of time, and internal order rather than becoming decorative accumulation.

The composition should value **artful whitespace, visual gravity, rhythms of density and openness, graphic relationships, and typographic order**. The subject may be centred or slightly offset, but the whole must remain balanced, restrained, and quiet. Retain large areas of pale background and breathing space so halftones, lines, and a few colour fields gain tension within the emptiness, creating a concise, understated visual character with meaningful pauses. The result should carry a touch of Zen: calm, perceptive, restrained, but never hollow.

Derive the palette by selecting and remixing the **brightest, freshest, and most vital colours** from the upper photograph rather than averaging its colours. Raise the overall luminosity and colour purity. Naturally inferred hues may include clear blue, aqua, tender green, warm yellow, coral orange, and peach pink; use fresh warm–cool relationships and a few accent colours to establish both a healing and an artistic quality. Keep the background ivory, warm white, or extremely pale. Avoid muddy grey, aged or sombre colour, low-key Morandi palettes, dark brown filters, neon colours, and a cheap candy-like look.

Introduce text sparingly. Distil a short title, phrase, or miniature annotation from the photograph's subject, emotion, action, sense of time, or symbolic meaning, and compose it together with the graphics. The text need not be neatly centred; it may follow the direction of a line, sit close to the halftone subject, or rest at the edge of the whitespace. Integrate it into the whole with restraint, precision, and lightness to create a natural editorial relationship between image and type.

Draw on the visual language of international design studios, art-exhibition posters, experimental editorial design, and printmaking. The final result should achieve a premium visual effect in which **halftone printing, coloured linear interventions, integrated composition, artful whitespace, and subtle Zen sensibility** work together. Avoid realistic illustration, meaningless decoration, accumulated elements, cheap filters, cartoon qualities, an overtly computer-generated appearance, and template-driven layouts.