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Re-view the photo with the blank space, ink lines and light colors of oriental freehand brushwork

<a href="README.md">简体中文</a> · <strong>English</strong> · <a href="README.ja.md">日本語</a> · <a href="README.ko.md">한국어</a> · <a href="README.ar.md">العربية</a>

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Sample gallery

No verifiable original-X samples or provenance have been supplied, so sample-01–sample-04 are not displayed. The eight works below were generated independently by this Panel from its own original brief; no artwork from another numbered Panel is reused.

16:9 landscape left–right samples

Each landscape work is one independently generated complete canvas: reality photography stays on the left and this Panel's original brief directs the transformed design on the right.

<table> <tr> <td width="50%"><img src="./assets/examples/sample-05.png" alt="XXD Panel 068 left-right sample 1"></td> <td width="50%"><img src="./assets/examples/sample-06.png" alt="XXD Panel 068 left-right sample 2"></td> </tr> <tr> <td width="50%"><img src="./assets/examples/sample-07.png" alt="XXD Panel 068 left-right sample 3"></td> <td width="50%"><img src="./assets/examples/sample-08.png" alt="XXD Panel 068 left-right sample 4"></td> </tr> </table>

3:4 portrait top–bottom samples

These four works reuse the corresponding independent sources and are regenerated as complete 3:4 canvases, with reality above and this Panel's transformation below.

<table> <tr> <td width="50%"><img src="./assets/examples/sample-09.png" alt="XXD Panel 068 top-bottom sample 1"></td> <td width="50%"><img src="./assets/examples/sample-10.png" alt="XXD Panel 068 top-bottom sample 2"></td> </tr> <tr> <td width="50%"><img src="./assets/examples/sample-11.png" alt="XXD Panel 068 top-bottom sample 3"></td> <td width="50%"><img src="./assets/examples/sample-12.png" alt="XXD Panel 068 top-bottom sample 4"></td> </tr> </table>

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Where this Panel fits — and what it solves

When a photograph is meant to express an East Asian poetic sensibility, it can easily fall into a stock template of mountains and water, seals, calligraphy, and aged paper. Cultural symbols multiply while the subject, placement, and emotion of the original photograph disappear. True freehand expression is not about piling on classical elements; it is about knowing where to paint and where to leave space.

Panel 068 begins with the identities, poses, and relationships in the source, then reorganises the image through considered placement, treating blank space as form, pressure-sensitive ink lines, and restrained pale colour. Traditional ways of seeing coexist with modern editorial order; negative space carries air, distance, and lingering resonance rather than serving merely as an empty background.

Use it when

• People, landscapes, architecture, or objects need an East Asian poetic quality: the subjects' identities and relationships still come from the photograph rather than being replaced with generic ink-painting motifs.
• You want cultural character without a pile-up of symbols: considered placement, solid and void, density, and negative space matter more than seals or classical ornament.
• You want traditional brushwork to work in contemporary communication: pressure-sensitive ink lines, two to four pale colours, and small inscription-like text are organised through modern editorial discipline.
• You need flexible delivery: it supports top–bottom and left–right comparisons, design-only output, multiple aspect ratios, four-device wallpaper sets, and batch processing of image folders.

A simple way to begin

You do not need to review every option first. Send your Agent an image and say:

Use XXD Panel 068 on this image and recommend the best layout and size first.

Use the samples above to confirm the visual direction. When you are ready, continue to Get started. Full modes, sizes, and parameters remain available in the expandable reference below. <!-- xxd-human-intro:end -->

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Quick fit check: is XXD Panel 068 right for you?

| What you need to know | What this style gives you | |---|---| | What you will get | Re-view the photo with the blank space, ink lines and light colors of oriental freehand brushwork | | Recognizable signature | Oriental freehand brushwork · Using white as black · Ink line and light color · Typesetting of title and postscript · Modern editing order | | How it respects your source | Recognizable identity, relationships, structure, and supplied facts stay anchored. Styling reorganizes the visual language instead of replacing your content with an unrelated template. | | Where you can use it | Create top-bottom, left-right, design-only, and four-device wallpaper outputs in multiple ratios or exact sizes. Delivery changes; the Panel's style identit

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