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样张-04 AI 图片提示词
样张-04成图与完整 AI 图片提示词,采用矢量-x-稳重-x-转绘风格;无需登录即可查看和复制。

完整 AI 图片提示词
让同一主题在一条清晰的水平分界两侧发生“现场证据—设计提炼”的双重呈现:一层保留可信摄影的真实光线、空间、材质与环境细节,主体以充足尺度建立第一眼识别;另一层把相同轮廓、视角关系和标志性附件重新组织成宁静克制的编辑插画,使观者先确认原貌,再读到被提纯的文化、情绪与叙事。两层保持约一比一的主次均衡和明确对应,摄影层可满幅延展并让环境压到边缘,插画层则以宽阔浅色留白托住一个纪念碑式主形体,次要景物退成低对比远层,少量人物、飞鸟、植物、器物或路径只承担尺度、方向与生活气息;题材改变时,由题材自身提供主轮廓、象征细节、附属物和叙事线索,仍维持从真实复杂度到图形秩序的可辨映射。插画以干净扁平矢量形块为骨架,概括透视和体积,保留关键结构比例与识别节点,用圆润有机的树云水体平衡硬朗建筑或物件轮廓;局部可将形块转成精细裁纸叠层与浅浮雕,边缘整齐、层间投下柔和短影、主体如安静陈列的微缩模型,但色面和轮廓仍保持矢量般清楚。色彩取自主题现场并重新分配:大面积低饱和乳白、雾蓝或浅暖灰建立空气感,中等面积承接主题固有色,极少量高纯度暖色落在最具象征性的节点;摄影层允许更深的天空、阴影或晨昏暖光,插画层整体提亮、压低远景对比,以明度分层而非繁复线条制造深度。文字仅作为轻量编辑信息层,使用有效书写系统中轮廓端正、细笔画、开阔字腔的高对比衬线标题或疏朗人文无衬线标题,配极小字号、宽字距的地点、坐标或短句,与主形体保持呼吸距离;信息可沿边缘形成细柱、短横线或小印记,也可收束为底部手写式题注,其视觉重量始终远低于图像。整体表面平整洁净,色块连续,轮廓利落,摄影与插画在同一观看轴线上精确呼应,以庄重、温和、可亲的旅行文化编辑气质完成从现实到理想化图像的转换。 —————— 历史实际提示词(原文保留): Please turn each photo I upload into a separate, independently designed high-end poster. Do not make a collage or combine multiple images—each photo should be processed and output individually. Use an overall **3:4 vertical composition**, with the canvas divided into **two equal sections top and bottom**, in a strict **1:1 height ratio**, each occupying **50% of the image**. The **upper half** should preserve the original photo, maintaining the subject’s identity, structure, pose, authentic texture, natural lighting, and original color atmosphere. Only apply subtle, refined photographic color grading to give it the feel of an **art magazine, independent publication, or exhibition photography**. To fit the format, the sky, ground, or environmental background may be naturally extended if needed, but the main subject must **not** be stretched, distorted, or altered. The **lower half** should extract the most recognizable **subject, silhouette, pose, and narrative relationship** from the photo, and reconstruct them into a **premium minimalist flat-vector travel poster** style illustrated scene. Do not mechanically trace the photo. Instead, based on the original image’s visual personality, distill the most representative main visual focal point, and build around it with **2–4 supporting elements** that best express the atmosphere of the environment, the way of everyday life, the sense of place, or the state of living. Whether the original image contains a city, architecture, people, animals, plants, objects, vehicles, or natural scenery, the lower half should feel like a **custom-designed high-end travel visual poster** made specifically for that subject, rather than a fixed template applied to everything. The composition should be reorganized according to the subject’s own character, rather than repeating the same layout. Build the image using **one clear focal point, distinct foreground-background layering, appropriate negative space, and a calm, orderly visual rhythm**. Depending on the original image, the scene may naturally transform into a street, plaza, waterfront, courtyard, passageway, platform, plant-based setting, interior corner, open landscape, or an environmental fragment with traces of daily life. The subject must always remain the primary visual center; all other elements should only reinforce the uniqueness of **“this place / this object / this situation.”** Avoid collage-like landmark stacking, postcard-style listing, or overly narrative arrangements. If people are needed in the scene, include only **3–6 small-scale figures**, naturally integrated into the environment, with **no single protagonist**. The overall style should be **high-end minimalist flat vector illustration**: inspired by **Japanese stationery aesthetics, boutique sticker illustration, and modern editorial travel branding**. Use **clean geometric forms, soft contours, consistent line weight, flat color blocks, and restrained detailing**. The overall feeling should be **fresh, quiet, delicate, and contemporary**. Avoid realism, heavy shadows, watercolor textures, paper textures, complex brushwork, gradients, crowded backgrounds, and excessive detail. The color palette should be based on a **soft, airy, slightly desaturated premium palette**, which may be adjusted by extracting and harmonizing the overall color temperature from the original image, while keeping the final result light and cohesive. Use **light pink-blue, misty blue, sky blue, and airy cool blues** to build the main atmosphere; balance them with **ivory white, creamy white, light beige, soft gray-green, and architectural neutrals**. Only allow a small amount of **dusty rose or muted blush** as subtle accents—for flowers, clothing, small signs, awnings, or local decorative details—so the image feels breathable yet still refined and layered. The **text logic** should also become part of this style. Do not simply apply a city-name template. Instead, extract a **short title** from the original image’s **location, object name, theme, condition, or atmosphere**, and place it in the **upper left corner** or another area with generous negative space. Pair it with a **brief, restrained, tasteful tagline**. Typography should remain **understated, editorial, spacious, and premium**, never overpowering the visual. If necessary, add a small amount of secondary text, coordinate-style annotations, or tiny descriptive notes, so the text feels like a natural visual identity element from a **high-end travel brand or boutique postcard**, rather than a title bar added afterward. The overall result should feel like a **high-end travel poster / boutique lifestyle postcard** designed specifically for the subject: **fresh, elegant, quiet, modern, and refined**, with generous negative space and a relaxed sense of presence. The **lower half of every poster must have its own independent visual identity**—you must not simply change the name while reusing the same composition, the same foreground, or the same arrangement of objects. Avoid anything that feels templated, repetitive, generic, or formulaic like a standard tourism poster.
风格原始提示词
让同一主题在一条清晰的水平分界两侧发生“现场证据—设计提炼”的双重呈现:一层保留可信摄影的真实光线、空间、材质与环境细节,主体以充足尺度建立第一眼识别;另一层把相同轮廓、视角关系和标志性附件重新组织成宁静克制的编辑插画,使观者先确认原貌,再读到被提纯的文化、情绪与叙事。两层保持约一比一的主次均衡和明确对应,摄影层可满幅延展并让环境压到边缘,插画层则以宽阔浅色留白托住一个纪念碑式主形体,次要景物退成低对比远层,少量人物、飞鸟、植物、器物或路径只承担尺度、方向与生活气息;题材改变时,由题材自身提供主轮廓、象征细节、附属物和叙事线索,仍维持从真实复杂度到图形秩序的可辨映射。插画以干净扁平矢量形块为骨架,概括透视和体积,保留关键结构比例与识别节点,用圆润有机的树云水体平衡硬朗建筑或物件轮廓;局部可将形块转成精细裁纸叠层与浅浮雕,边缘整齐、层间投下柔和短影、主体如安静陈列的微缩模型,但色面和轮廓仍保持矢量般清楚。色彩取自主题现场并重新分配:大面积低饱和乳白、雾蓝或浅暖灰建立空气感,中等面积承接主题固有色,极少量高纯度暖色落在最具象征性的节点;摄影层允许更深的天空、阴影或晨昏暖光,插画层整体提亮、压低远景对比,以明度分层而非繁复线条制造深度。文字仅作为轻量编辑信息层,使用有效书写系统中轮廓端正、细笔画、开阔字腔的高对比衬线标题或疏朗人文无衬线标题,配极小字号、宽字距的地点、坐标或短句,与主形体保持呼吸距离;信息可沿边缘形成细柱、短横线或小印记,也可收束为底部手写式题注,其视觉重量始终远低于图像。整体表面平整洁净,色块连续,轮廓利落,摄影与插画在同一观看轴线上精确呼应,以庄重、温和、可亲的旅行文化编辑气质完成从现实到理想化图像的转换。